Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Dickinson, Alan Edgar Frederic | Bach's Fugal Craftsmanship (I). [The Art of Fugue. Description of a typical fugue by Bach (To be concluded in the summer issue)] |
MSurvey |
2 | 3 | Winter 1950 |
175-179 |
|
| 2. | Foldes, Andor | New York in the Fall of 1949. [Philadelphia Orchestra; Ormandy. Bach, Organ Toccata and Fugue in D minor (orchestrated by Ormandy). ...] |
MSurvey |
2 | 3 | Winter 1950 |
185-186 |
|
| 3. | Hamburger, Paul | Bach, The Piano Concertos after Vivaldi, Marcello, Telemann, etc., edited by Arnold Schering (Peters). Reviews of music. |
MSurvey |
2 | 4 | Spring 1950 |
255 |
|
| 4. | Donington, Robert | Boyd Neel Orchestra: Bach programme, Chelsea Town Hall, 23rd January, 1950. Concerts and opera I. London and Birmingham. |
MSurvey |
2 | 4 | Spring 1950 |
268 |
|
| 5. | Meyerstein, E. H. W. | Gina Bachauer (pianist); Wigmore Hall, 18th March, 1950. Concerts and opera. [Reger, Variations and Fugue on a theme of Bach. Musorgsky, Pictures at an Exibition] |
MSurvey |
2 | 4 | Spring 1950 |
273-274 |
|
| 6. | Hamburger, Paul | Bach Concert: Stuttgart Chamber Orchestra; Carl Muenchinger. Central Hall, 20th March 1950. Concerts and opera I. London and Birmingham. |
MSurvey |
2 | 4 | Spring 1950 |
274 |
|
| 7. | Donington, Robert | Bach Concert: Stuttgart Chamber Orchestra; Carl Muenchinger. Central Hall, 21st March 1950. Concerts and opera I. London and Birmingham. |
MSurvey |
2 | 4 | Spring 1950 |
274 |
|
| 8. | Dickinson, Alan Edgar Frederic | Bach's Fugal Craftsmanship (II). [Description of a typical fugue by Bach (Continued). His uncanny observation of themes and their potential contexts] |
MSurvey |
3 | 1 | Summer 1950 |
28-32 |
|
| 9. | Dickinson, A. E. F. | J. S. Bach, Musical Offering (Peters-Hinrichsen). Reviews of music. |
MSurvey |
3 | 1 | Summer 1950 |
49 |
|
| 10. | Dickinson, A. E. F. | J. S. Bach, 'In our hour of deepest need.' Transcribed by John Barbirolli. Score (OUP). Reviews of music. [Transcription for two violas, three violoncellos, double bass, four horns and trumpet] |
MSurvey |
3 | 1 | Summer 1950 |
49 |
|
| 11. | Hamburger, Paul | Aimée Van de Wiele. Harpsichord recital. Wigmore Hall, 6th May, 1950. Concerts I. London. [Bach, Italian Concerto; Goldberg Variations] |
MSurvey |
3 | 1 | Summer 1950 |
67 |
|
| 12. | Hamburger, Paul | The London Guild of Arts. Capriol Orchestra; Roy Budden. Central Hall, 5th May, 1950. Concerts I. London. [Bach, Cantata no. 51; Margaret Ritchie (soprano). Mozart, Violin Concerto in A major; Alan Loveday. Shostakovitch, Concerto for piano and trumpet; Iris Loveridge (pianist), David Mason (trumpeter)] |
MSurvey |
3 | 1 | Summer 1950 |
67 |
|
| 13. | Hamburger, Paul | Tibor de Machula: Cello recital with Gerald Moore (pianist). Wigmore Hall, 1st June, 1950. Concerts I. London. [Bach, Sonata for cello solo in C. Beethoven, Sonata for cello and piano. op. 102, no. 2] |
MSurvey |
3 | 1 | Summer 1950 |
69 |
|
| 14. | Hamburger, Paul | Bach, Handel, Purcell. Anne Alderson (soprano). Maurice Bevan (baritone), Integer String Quartet. Cowdray Hall, 7th June, 1950. Concerts I. London. |
MSurvey |
3 | 1 | Summer 1950 |
70 |
|
| 15. | Keller, Hans | New Era Concert Society, Marcel Dupré, Bach recital. Albert Hall, 12th June, 1950. Concerts I. London. |
MSurvey |
3 | 1 | Summer 1950 |
70 |
|
| 16. | [anon.] | Competition. [No. 1. Set by P. H.: Imaginary conversations by (a) Bach and Handel in 1750; (b) Beethoven and Schubert in December 1826, (c) Wagner and Verdi in 1880. Not exceeding 400 words] |
MSurvey |
3 | 1 | Summer 1950 |
79 |
|
| 17. | Redlich, Hans F. | Bach in Lüneburg, 1700-1950. Report on the congress of musicologists and on the second world congress of music libraries. July 15th - 22nd, 1950. [Bach, St. Matthew Passion; Richard Liesche (conductor). St. Michael's church: Cantata no. 169 'Gott soll allein mein Herze haben'; three a cappella motets, a selection of Schübler chorales and Organ Fugues; Klosterkirche, Bach, Goldberg Variations; Fritz Neumayer (harpsichordist). Papers from Professor Arnold Schmitz, on the rhetorical qualities of Bach's music. H. F. Redlich, 'Anfaenge der Bachpflege in England, 1750-1850.' Other subjects were treated: W. Boetticher's new chronology of Orlandus Lassus' work. H. Chr. Wolff, 'The Value of History,' The Music Library Congress was important for its work in the committee, preparing a General Catalogue of Music] |
MSurvey |
3 | 2 | 1950 |
128-129 |
|